電影的最後，當雪崩正在掩埋兩人朝夕相處七十多天的小屋，南極科考隊的隊員們用雪地車載著趙又廷逃離，在這生死關頭趙又廷掙紮著想返回，他喊道：讓我回家！是啊，兩人已經是親人了，小屋已經是家了。這是一個因為“被需要”產生愛情的故事，純粹、浪漫，因為發生在南極，讓它愈加純潔和神聖。

第一部姊早逝，這一部父亡母喪，下一部該輪到男主了，阿普終於穿上鞋子，父撒手人寰頓時群鳥四散，一個人也要幸福，

我也想要一個ipads做生日禮物。

Tenderly tackled in this poetic film is the theme of new versus old - the dueling emotions, the ambitions of an adolescence to metamorphosize versus his very roots that tug at his heartstrings and stop him from flying high and away, a widowed mother's grief and hopelessness versus her muted acquiescence - all captured with rawness, humanism, and an understated elegance. #BJIFF @UME雙井

以前看的一部片子，我住到瑞典去以後，才逐漸感覺到這部片子其實非常能代表瑞典。